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To be continued...

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Well, with God!

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Patient zero. This is a story about a meeting
with the inexplicable, the unknown,

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terrible and... Wild desire to protect
yourself from this and shift to

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someone else.

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The plot is about a disease like HIV.

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Today in Russia there are more than a million, about
one and a half million HIV-positive

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people. Have you been found? Well, that is,
everything.

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They just don't talk about it.

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The first reaction is denial. Like this
no, I don’t see it, that means it’s not

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exists.

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This story is based on real
events.

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All characters are fictitious. But of course we
were repelled by all the collected

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documents and stories about this time.

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And they tried with great respect
apply to all those who are alive today.

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The script, it always changes along the way
the way it is written is quite strong.

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But Oleg Malovichko is that rare screenwriter,
when the original intention is enough

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accurate and can be implemented with minimal
script changes.

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Initially we called the project simply
Elista.

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The task is both easy and difficult.
Therefore, I was quite cautious about

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this proposal, because it's one thing
reason.

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October revolutions or uprising
Decembrists are also a topic enough

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relevant, but nevertheless not so
spicy. There are no living participants

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events, all obvious reasons. And here
we still encountered human

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tragedies, firstly.

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And already, when I started studying the topic, I
I suddenly realized that this was not a healing wound

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until now, because the culprits are really
not punished.

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They weren't even really discovered.

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The victims didn't get what they wanted
in the form of punishment, but in the form of some

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social movement towards
him. Therefore, let's say, ethical

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moment and sensitivity of the topic from the moment
writing words according to a serial plan, up to

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writing, say, the second or third series,
have grown exponentially.

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For me this is a rare case when
this is a real movie series because

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it contains the story of one great drama, on
in fact, all of humanity

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modern, over seven episodes.
And this is like a seven-episode series

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movie for me.

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Well, what is valuable, it seems to me, is to show in
zero,

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People's reactions to the unknown. And when
a person remains a person, and another

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becomes a beast. At the same time, it doesn’t matter
towards children, towards adults, towards

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doctors, officials. When he's out of fear
the unknown begins to take place

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actions for which he will later be punished
very embarrassing. And what do we know about HIV?

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About 1988, and in general about the beginning, at
actually. Late 80s, early 90s. This

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great fear of the unknown. And
people who were HIV positive

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tests, were ready to board up the house and
never release. Basically, everyone

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it didn't matter what happened to them.
They will die or they will live. Just the main thing

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get rid of them.

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This was generally the main thing for...

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the entire population. And because we don’t have
there was a lot of educational work on

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this account, people turned into beasts.

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Montage is the last draft for us
script. That is, we really

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We are still correcting the story in editing.
That is, the script is still being written.

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The story is not over, it
continues and we...

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Essentially, we are faced with the same
moral challenges, with the same choices,

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like the heroes of our history. It seems to me
we hit some kind of social nerve,

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since we are talking about those phenomena
which, no matter how hard you try, doesn’t work out

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branded as the past.

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When we look at the 80s era where...

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There is already publicity, where they are already open
borders where there are enthusiasts who

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explore new directions. Actually,
the hero of Nikita Efremov is such

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an idealistic enthusiast who...

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deals with a topic that no one cares about
interesting.

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My character is such a black sheep who
shouts to everyone “wake up, wake up”, but

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people don't wake up. In general he
some son of a rich Soviet

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a functionary who is handsome, wonderful,
moderately intelligent and likes it

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girls, but in general he does
some kind of nonsense.

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And as we see development
history, he turns into the present

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a hero, into a true deep man.

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Well it's a fashion trend

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think that

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And I also had this, that there is
Dolphin has this song “I need an enemy,

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to be yourself”, so that everything
the meaningless became explainable.

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I somehow understand that my character,
after all, he had an enemy and a father, and

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system, and all this.

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I can't spoil it now, right?

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Not a word in the press.

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Not a word.

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We isolate all infected people and
We will place you in separate clinics. We

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were preparing for special scenes.

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to the operation scene. But also optional
I was consulted by a surgeon.

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His name is Anton, I really appreciate it
grateful. He and I are separate

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met. Well, I asked him questions
from the kettle. Something like...

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Who are surgeons? Why does a person go
for a surgeon? How are surgeons different from

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other doctors? What is surgical
does practice change you inside? How is it

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was it? I was very interested to understand
Kirsan's motivation.

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Before these

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filming... Once a friend and I, he told me
asked what profession you would like

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I definitely would never go, I wouldn’t master it
never.

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I told him, like a surgeon. These are doctors
these are surgeons. I can't stand blood, I can't

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I can imagine how to cut it. to me
I was lucky enough to play this role. I

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I think this is the irony of fate. This is it
it must be a surgeon

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took over. I think it's already changed
me in everyday life.

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Such a close acquaintance with this
profession.

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Actually I know what the name should be
Aisa.

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The film crew told me Aisa.

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Knowing about his illness, practically
incurable, she was very

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cheerful. That is, she knew that
that she was sick, but she seemed to behave

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It's like she doesn't even know this disease.
That is, it is as if it does not exist.

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You see, the fact is that this disease,
she's new.

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We... We just don't know very much yet.
Can you just answer me, medicine

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is there or not?

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He's not there yet.

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Don't tell your mom, she won't survive. She
I wasn’t afraid for myself, girl.

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She was more afraid for her mother.

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Mother!

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I just have a hero who
located between two tectonic

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slabs that simply move apart into two
sides, and he stands in the middle.

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And he has a wild desire to do something to someone
it hurts so that

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people were hurting as much as
he's in pain now. And to whom and for what

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do, he doesn't understand. He doesn't know
who can throw off this burden? There's a scene

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in which one of the heroes who
presumably positive, he

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smears his blood on another person.

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That's it, here I am, tink, that's it, tink, here I am
superpowers, you know?

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In a big way.

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Guys, we need it faster. It's now
plan where we see just blood, we don't

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We examine the wound.

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Van, why are we going to brain each other?
caulk? Come on, pack your things, take it

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wife and leave the city, in an amicable way.

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If you don't understand, we'll help.

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Why should I leave?

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I was actually born here, unlike
you two. So it's all your fault.

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You brought this infection here.

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Van, they will burn your apartment and your car
They'll burn it down along with the garage, Van. And not

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Are you afraid that I will come to you later, huh?

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In this scene I was very lucky that
Max Emelyanov was present, with

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which I am familiar with and that is why we have
contact.

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I understand that if I push him now,
I'll grab you by the face or slap you, he won't

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will be offended by me. Well, I don't know how
as if the other person might not either

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to be offended, but to a stranger
you always have to, well, at some point

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lapping. Ivan, Nadya, Geliana for me
this is the most important, almost the most

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important line.

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film, because Kirsan and Dmitry -
charismatic, meaning fanatical fighters

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with HIV, which endlessly, well, just like that
they do their job, and they do, and they do, and

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do, and someone preaches, someone
proves. And here is this story,

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which affected specific people, even
with some mystery related to zero

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patient. That is, this branch, it
very...

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important and interesting. Because she
it talks about how it can

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touch everyone. Evgeniy Stychkin,
who is both co-director and

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performer of one of the roles,
amazing to my taste.

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He starts off as completely disgusting,
a nasty character who seems to be for

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anyone runs with their journalistic history
at a price. And overall looks at it all

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enough...

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Vulture-like. Listen, it's a fucking topic.
for the article.

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Remind me, how many sick people do we have in the USSR?

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But at the same time, with each subsequent series
it can be seen how much more

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humane and attentive in him
becomes.

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Do you know that you have an emergency there?

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Calmly. We have already received a signal. Measures
will be accepted.

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And that is... They will be, but later.

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How he sees these destinies and through the prism
his camera, and through the way he

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fights for these articles, and through
intelligence agencies that arise,

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of course, in this equation, and they try
regulate public knowledge,

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public opinion, management of this
subpoena, trying to conduct an investigation,

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what's happening with medical
components.

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After the second one was written
series, we decided to arrange a trip to

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Kalmykia, where they organized for us
meetings with parents of children who

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became infected during this outbreak. We
We had several meetings with them.

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And not only with them, I met with
doctor who worked at that time in

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this hospital. I later met with
enthusiasts.

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Let's call it that, HIV enthusiasts.

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Yes, and we, firstly, understood that the topic
much more than a flash, in fact,

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in '88, because the circles go to
until now.

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Yes, and that's why we, on the contrary, instead of
to make some docudrama, yes, and

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show real people, we decided
blur the boundaries a little and go into

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side of an inexact match.

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Here even you don’t understand who
antagonist. That is, there is an enemy here,

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which interferes, no. In fact...

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If you look at the heroes like this, then everyone
They generally have good goals.

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Absolutely. At the journalist's, at Karakhan's, at
KGB. Well, that is, no one wants harm there,

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really. No one wants to interfere or
harm the main character.

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Then you do everything right, everything
ok. Well, then everything is fine.

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The only thing is, don’t go there. And
these movements that you have there...

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When you do... I generally initially

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took on this story because, well,
in addition to, of course, the main topic,

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which I think is extremely important. And
it's big

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It's lucky that we managed to film it.

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Besides that, it's time.

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This is the time of some greatest power,
youth, maturity of my parents.

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Time is extremely important for everyone
countries. Some of the filming took place in

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Volgograd.

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But most of them were in Moscow,

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where we restored the era,
restored...

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1988, very little left.

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Like any historical project,
despite the fact that it seems like we

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we live and nothing changes, everything is very
has changed a lot, nothing remains with

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of that time.

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Thanks to the artists who made this
amazing job.

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Yes, I managed to feel the era,
especially when we were filming some

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crowd scenes when there were a lot of people,
there are a lot of actors in crowd scenes, they're all

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in suits, everyone has hairstyles, that's why we
filmed the post-Soviet space, here

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that's all.

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and quietly concentrated and and

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rushed there

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In fact, I shoot less and less.
After all, I mostly lead.

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In cases where improvisation is needed
so original.

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That is, this cannot be trusted to anyone. And
That's when I sometimes stand behind the camera. This

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happens extremely rarely. When you dial
something purely improvisational.

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When I stand behind the camera, in me
The spirit of the night watch awakens.

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Because there I was behind the camera all the time
time.

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Yes, yes, yes, I got especially excited there.

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Of course, it's scary to follow in Charlie's footsteps
Chaplin, Clint Eastwood and

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Nikita Mikhalkov, and Dani Kozlovsky, and
so on.

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Wonderful, different, talented people,
who stand on both sides of the camera.

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So, here it is, right?

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Chack, chick-chick, chlock, chick-chick, chlock,
chick-chick, chock. Drive, I say.

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Chlok.

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Run away already.

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But in this sense, of course, I had
incredible crutch.

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Doesn't sound rude. Well, in general, Sergey
Trofimov, my co-director, at this moment

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watched me closely.
And it wasn't so difficult and wrong for me

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scary as it would be if I were
one.

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Well, actually, here's the idea behind it
alliance was that it was Zhenya,

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who knows the actors very well...

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and all the acting technologies, and himself
a wonderful actor, in fact, he should

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was in control of this whole part, and I
just well versed in

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editing, and, of course, in filming, in
compositions and so on. That is, in

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basically, he was very interesting
alliance, but at the same time we have different

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temperaments, different styles of behavior.

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I don't think I know. It seems to me
rather, someone should say from the outside,

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what it all looked like. I think this is
sometimes it was very funny.

220
00:19:16,930 --> 00:19:21,850
eat half. So they, someone
He’s still eating, he’s eating fully, he’s drinking

221
00:19:21,850 --> 00:19:27,330
tea, listening. For them and they don't
trying to be nice or be comfortable

222
00:19:27,330 --> 00:19:29,470
for these people, they don't care at all
them.

223
00:19:29,830 --> 00:19:36,750
Let's decide if any of them are in my business
sits down, someone leaves. We're lucky

224
00:19:36,750 --> 00:19:37,750
with the team.

225
00:19:37,950 --> 00:19:42,690
We have already decided at the team selection level.

226
00:19:43,050 --> 00:19:46,490
most of all questions. When very
It often happens that what is written in

227
00:19:46,490 --> 00:19:50,830
in the office, on the stage, or it doesn’t sound,
or does not fall into circumstances, I

228
00:19:50,830 --> 00:19:54,950
I can say thank you to my
to the production directors, that this time

229
00:19:54,950 --> 00:19:56,410
they approached the text very carefully.

230
00:20:13,070 --> 00:20:16,950
Let him come. Wait, don't rush, don't
drive. Stop the bus.

231
00:20:17,810 --> 00:20:19,110
Shepherd, here's the car.

232
00:20:19,830 --> 00:20:23,330
Here, okay, let's go, let's go,
let's go, let's go.

233
00:20:23,990 --> 00:20:29,010
Elista part, where everything is very ordinary,
everyone is very friendly where

234
00:20:29,010 --> 00:20:33,270
small town nepotism
basis. And into this nepotism

235
00:20:33,270 --> 00:20:40,130
the unknown, the incurable, bursts in,
incomprehensible and uncertain, with

236
00:20:40,130 --> 00:20:42,350
which... No one understands that
do.

237
00:20:42,650 --> 00:20:43,830
Do you see the year of birth?

238
00:20:44,090 --> 00:20:47,490
These children study at your school with
our boy.

239
00:20:48,090 --> 00:20:54,330
In this case, it's about everything. That is
cannot be said about the country, about

240
00:20:54,330 --> 00:20:59,030
drama of these people, about the danger that
threatens each of us.

241
00:20:59,290 --> 00:21:03,870
That is, it is crammed with some important
messages to the viewer.

242
00:21:04,350 --> 00:21:08,470
The efforts of doctors, hero doctors, doctors.

243
00:21:09,000 --> 00:21:13,040
who worries about himself because
others at this moment become well

244
00:21:13,040 --> 00:21:16,340
such signs of human feat
unity

245
00:21:16,340 --> 00:21:21,120
we

246
00:21:21,120 --> 00:21:27,980
filmed in a hospital that was being occupied
how

247
00:21:27,980 --> 00:21:30,380
since in this hospital there are children who are sick
AIDS

248
00:21:38,060 --> 00:21:42,740
They threw a stone at my glass, just
they said "bam" and they said "we

249
00:21:42,740 --> 00:21:48,240
we do bam and you run.” When it's sharp
They threw a stone, everyone got scared. And you need

250
00:21:48,240 --> 00:21:53,020
it was possible to win back this spook. I went to
corner so I don't get filmed because

251
00:21:53,020 --> 00:21:54,020
I laughed.

252
00:21:58,780 --> 00:22:00,880
This is exactly how I imagined it.

253
00:22:02,190 --> 00:22:04,330
That is, what will be fun.

254
00:22:04,810 --> 00:22:09,490
Really, they had a lot of fun, and
it was impossible to calm them down. I just

255
00:22:09,490 --> 00:22:11,050
started shouting at them loudly.

256
00:22:11,530 --> 00:22:12,630
To the corner, quickly!

257
00:22:13,530 --> 00:22:15,150
Get away! Get away!

258
00:22:16,090 --> 00:22:17,670
In the corner, in the corner, in the corner!

259
00:22:19,250 --> 00:22:24,870
And they got so scared and ran into the corner. That
yes, I understood that okay, I need them

260
00:22:24,870 --> 00:22:26,870
now intimidate.

261
00:22:35,880 --> 00:22:38,480
Yes, it is very difficult to work with children,
of course.

262
00:22:40,400 --> 00:22:41,400
Here,

263
00:22:41,920 --> 00:22:46,860
so that right at this place, at that moment,
when I say "pam" to straight

264
00:22:46,860 --> 00:22:51,560
We looked at where the danger came from. Because
now it’s a little bit like you’re just

265
00:22:51,560 --> 00:22:55,840
you hear shots somewhere there, as if
just scary. And this is very specific

266
00:22:55,840 --> 00:22:57,700
danger in a specific place, okay?

267
00:22:58,040 --> 00:22:59,040
Oh, it's here.

268
00:22:59,060 --> 00:23:03,740
This is broken here, this is what we are
filmed. Pooh, glass is flying,

269
00:23:03,740 --> 00:23:04,940
pours everywhere around.

270
00:23:09,810 --> 00:23:14,270
With Nastya, who played Aisa, we are with her
agreed immediately. I say, come on

271
00:23:14,270 --> 00:23:16,070
like this, like this, like this. She says
come on.

272
00:23:16,390 --> 00:23:20,650
And so we somehow play a game, a game within a game,
True, we somehow started this game.

273
00:23:20,870 --> 00:23:25,310
Kirsan also helped. When I was lying down I
In general, she was lying like this, under the blanket,

274
00:23:25,310 --> 00:23:28,930
I lay there like this, I couldn’t do anything
to put it bluntly. I couldn't even

275
00:23:28,930 --> 00:23:30,550
ask for some water.

276
00:23:30,870 --> 00:23:34,090
There's a camera there that's standing there
right here.

277
00:23:35,000 --> 00:23:36,860
And he said, don't notice the camera.

278
00:23:39,860 --> 00:23:40,860
Well done.

279
00:23:41,320 --> 00:23:43,740
Aisa, don't be afraid of anything.

280
00:23:43,980 --> 00:23:45,080
Everything will be fine.

281
00:23:45,300 --> 00:23:51,840
We will cure you. I'm great with kids.
I feel comfortable and fun with children. child

282
00:23:51,840 --> 00:23:55,980
is a partner who demands
100% inclusion. I do first

283
00:23:55,980 --> 00:23:57,420
take, showing focus.

284
00:23:57,880 --> 00:24:03,480
They're all, wow, yeah, cool, wow. And such
cool, yes, dialed.

285
00:24:03,920 --> 00:24:07,000
Zhenya says, let's secure it some more. I
I say, come on.

286
00:24:07,440 --> 00:24:13,180
I'm doing magic tricks and there's this asshole
He says, “I know you’re hiding it there.”

287
00:24:13,260 --> 00:24:15,040
He hid it in his sleeve.

288
00:24:15,320 --> 00:24:16,320
Focus failed.

289
00:24:19,100 --> 00:24:20,580
I'd like to learn some tricks.

290
00:24:22,400 --> 00:24:26,760
Do you know when adults have something wrong?
does it work?

291
00:24:30,310 --> 00:24:31,930
This makes it easier for children.

292
00:24:35,690 --> 00:24:42,350
But in fact we had some
wonderful children. Very talented

293
00:24:42,470 --> 00:24:47,710
very understanding.

294
00:24:48,950 --> 00:24:52,470
I'm very interested in what Sergey will answer
Trofimov.

295
00:24:53,880 --> 00:24:58,280
Most kids, no, it was all there
ok. There were some very small ones

296
00:24:58,280 --> 00:25:04,220
uncontrollable girls, but it's like, well
as usual, girls and boys are like that

297
00:25:04,220 --> 00:25:05,520
very small.

298
00:25:05,940 --> 00:25:10,980
But again, we filmed with a reserve, and
in the installation it all looks quite good

299
00:25:10,980 --> 00:25:11,980
not bad.

300
00:25:17,000 --> 00:25:18,000
What's your name?

301
00:25:19,640 --> 00:25:24,920
With Pasha there is a feeling that we
have known each other internally for so long. Then

302
00:25:24,920 --> 00:25:30,820
there is this absolutely preserved in it
some kind of youthful thing, somewhere

303
00:25:30,820 --> 00:25:32,060
a childish and youthful moment.

304
00:25:32,400 --> 00:25:35,600
At the same time, he seemed very
professionally, subtly sees some

305
00:25:35,600 --> 00:25:38,700
things. He is a very experienced person. I'm with
It worked very well for him. I don't understand

306
00:25:38,740 --> 00:25:40,840
What does this have to do with us?
Absolutely none.

307
00:25:41,880 --> 00:25:45,460
But this forced us to check for
all warehouse. And this is what we found there,

308
00:25:45,460 --> 00:25:47,220
already much more interesting.

309
00:26:01,129 --> 00:26:06,890
Revolutionary changes in medicine, in
principles of working with disposable

310
00:26:06,890 --> 00:26:12,590
syringes, in changing the general attitude towards
topic, at that time significant as

311
00:26:12,590 --> 00:26:17,730
time was a consequence of this event, and
since HIV is a topic that...

312
00:26:18,060 --> 00:26:24,280
absolutely understandable anywhere in the world,
it is terribly unifying. Like

313
00:26:24,280 --> 00:26:29,020
always, like everyone who is involved in our
business, in our business, in our

314
00:26:29,020 --> 00:26:30,780
industry, it's about who...

315
00:26:31,560 --> 00:26:37,760
some spirit will catch with some sixth sense
notorious time and will have time to create

316
00:26:37,760 --> 00:26:42,720
a statement that, despite the fact
that we are talking about past events will

317
00:26:42,720 --> 00:26:47,340
relevant today. For me it became
surprise at the effect it had

318
00:26:47,340 --> 00:26:52,200
series. I didn't think he would
so in demand by people, so

319
00:26:52,200 --> 00:26:57,320
popular and relevant. It's not even
so many lies, no information conveyed

320
00:26:57,320 --> 00:27:00,140
equals a lie. The faster you are
warned.

321
00:27:00,940 --> 00:27:07,380
the fewer people will suffer. It may
be a disease, it could be a problem

322
00:27:07,380 --> 00:27:13,580
at work, problem in the family. Here's something
what didn’t happen in your life before,

323
00:27:13,660 --> 00:27:14,840
causes fear in a person.

324
00:27:15,580 --> 00:27:21,500
And everyone experiences this fear in their own way.
There are, again I say, people who

325
00:27:21,500 --> 00:27:26,320
"no, no, it's not me." You also need
check.

326
00:27:28,770 --> 00:27:31,130
This can't be true. This is some kind of
error.

327
00:27:31,350 --> 00:27:33,290
Unfortunately, we conducted a repeat test.

328
00:27:33,970 --> 00:27:34,970
Lena, let's go.

329
00:27:35,210 --> 00:27:36,029
It's you.

330
00:27:36,030 --> 00:27:38,190
It's your fault. It's your fault.

331
00:27:39,390 --> 00:27:40,430
Not me.

332
00:27:41,410 --> 00:27:42,410
Which wife?

333
00:27:43,510 --> 00:27:50,290
We haven't slept for six months, and now she tells me
tells me to donate blood, suddenly

334
00:27:50,290 --> 00:27:51,290
sleeping

335
00:27:51,990 --> 00:27:52,990
Where?

336
00:27:53,330 --> 00:27:57,630
People who became outcasts
besides...

337
00:27:58,220 --> 00:28:03,080
from the global injustice of the world, from
that they just get this

338
00:28:03,080 --> 00:28:04,500
disease, because it exists.

339
00:28:04,860 --> 00:28:09,520
Besides this, when your back is turned
society, of course, someone may be

340
00:28:09,520 --> 00:28:13,840
capable, any of us can be
capable of some hard, sharp

341
00:28:13,840 --> 00:28:14,840
reactions.

342
00:28:29,250 --> 00:28:30,610
Come here please.

343
00:28:30,990 --> 00:28:32,490
Come here please!

344
00:28:34,570 --> 00:28:35,570
Stand!

345
00:28:37,790 --> 00:28:42,970
Put the gun down. Who infected my wife,
who killed my son? I don't know.

346
00:28:43,290 --> 00:28:50,030
About honesty, about the ability to walk
contrary to, choose, explore one's own

347
00:28:50,030 --> 00:28:52,330
choice. About love, of course.

348
00:28:52,890 --> 00:28:55,130
I am responsible for love.

349
00:28:55,530 --> 00:28:56,670
I love you.

350
00:28:59,530 --> 00:29:00,790
Let's go without a condom.

351
00:29:02,930 --> 00:29:09,430
And at this moment he infects her
a virus with 100% lethality,

352
00:29:09,630 --> 00:29:12,930
for which there is no cure. Just because
that he doesn't know it's possible.

353
00:29:13,190 --> 00:29:15,350
He simply kills her with his love.

354
00:29:17,480 --> 00:29:22,020
And while everyone is sleeping, the virus is spreading.
I believe this is the scene that should

355
00:29:22,020 --> 00:29:27,760
look every girl because,
honestly, we, my friends, are many of my

356
00:29:27,760 --> 00:29:31,720
surroundings are faced with situations
when the guy says I love you,

357
00:29:31,820 --> 00:29:33,820
come on without any pretense. And that's all.

358
00:29:34,440 --> 00:29:37,900
And there the scene is dedicated to just this.

359
00:29:38,120 --> 00:29:42,960
And it seems to me that if every girl
will watch this scene and really listen,

360
00:29:42,960 --> 00:29:48,250
what Nikita's character says, she doesn't have
there will be no questions about how

361
00:29:48,250 --> 00:29:52,670
behave in such a situation and why
Situations like this are not ok. This is generally

362
00:29:52,670 --> 00:29:59,570
all the time about fear, about fear of intimacy,
about sex,

363
00:29:59,570 --> 00:30:03,970
about some basic instincts. Scene with
Gorbachev, this is when my hero

364
00:30:03,970 --> 00:30:10,230
comes, accidentally calls him there
on the carpet, to all the Gorbachev ministers,

365
00:30:10,230 --> 00:30:12,810
where they discuss this story and he
understands that they are absolutely not

366
00:30:12,810 --> 00:30:13,810
aware.

367
00:30:14,250 --> 00:30:18,970
And he decides to just lay it out and cut it out
They're staring the truth into their eyes.

368
00:30:19,390 --> 00:30:24,090
Because it's really difficult at this time
the moment was to imagine, probably,

369
00:30:24,230 --> 00:30:27,590
people who were in power, some
a hole in them, so to speak,

370
00:30:28,310 --> 00:30:29,350
unbreakable defense.

371
00:30:29,690 --> 00:30:35,210
Infected due to total non-compliance
sanitary standards by staff. Namely,

372
00:30:35,270 --> 00:30:39,470
use of reusable syringes, not
properly sterilized, led

373
00:30:39,470 --> 00:30:42,010
to the virus spreading inside
hospitals.

374
00:30:42,250 --> 00:30:46,570
Again, the very fact of use
reusable syringes... So, wait.

375
00:30:47,330 --> 00:30:53,290
What about the cases in Rostov and Stavropol?
Mikhail Sergeevich, cases in Rostov and

376
00:30:53,290 --> 00:30:56,490
Stavropol... Children from Elista often
sent to Rostov and Stavropol

377
00:30:56,490 --> 00:30:58,190
clinics. I'm not asking you!

378
00:30:58,730 --> 00:31:00,250
This is in your department.

379
00:31:00,770 --> 00:31:06,410
Under your leadership, a blatant
negligence. Simply outrageous. Then there was

380
00:31:06,410 --> 00:31:08,030
fear. We didn’t understand anything then.

381
00:31:08,370 --> 00:31:12,650
The horror is that today
a huge number of people still

382
00:31:12,650 --> 00:31:15,950
they don't understand anything. They still do
it seems that, firstly, what kind of disease

383
00:31:15,950 --> 00:31:22,750
something indecent. There are some scenes
some lines that are guaranteed

384
00:31:22,750 --> 00:31:24,130
will not leave the viewer.

385
00:31:26,140 --> 00:31:33,080
calm, indifferent, guaranteed
will connect his heart, and this is very important.

386
00:31:33,820 --> 00:31:35,220
I did everything I could.

387
00:31:38,060 --> 00:31:39,740
And I don't know how it happened.

388
00:31:43,600 --> 00:31:45,380
I swear to you that I did everything right.

389
00:31:48,040 --> 00:31:50,100
I'm very sorry, I feel for you.

390
00:31:50,920 --> 00:31:54,380
There's no need to talk here now. B
in the series some people say that

391
00:31:54,380 --> 00:31:56,560
homeless prostitutes become infected with this.

392
00:31:57,100 --> 00:31:59,940
We don't have those in principle.

393
00:32:01,280 --> 00:32:02,740
You're a romantic, right?

394
00:32:04,240 --> 00:32:09,520
And this is more than one and a half million people.
We have such a silent epidemic in the country. About

395
00:32:09,520 --> 00:32:10,520
no one says this.

396
00:32:10,700 --> 00:32:13,780
But there is an official figure, and there is
real number.

397
00:32:13,980 --> 00:32:18,480
Because I'm still HIV positive
man.

398
00:32:19,070 --> 00:32:23,250
may live among us and not know about it,
because we don't have a diagnosis.

399
00:32:24,730 --> 00:32:29,950
And an HIV-positive person, knowing that he
he’s asleep, he may not talk about it,

400
00:32:30,010 --> 00:32:31,570
because he is still very afraid.

401
00:32:31,890 --> 00:32:36,310
There's something dangerous here. It's very
It’s easy to slip into blaming those people

402
00:32:36,430 --> 00:32:40,550
who don't understand. Where probably
my hero slides, this is his path

403
00:32:40,550 --> 00:32:45,710
finds it difficult. In it in itself
is mixed, in addition to the noble goal,

404
00:32:45,730 --> 00:32:47,450
still some righteous anger.

405
00:32:48,090 --> 00:32:51,950
Any kind of anger, be it righteous,
be unrighteous, he is still angry. And

406
00:32:51,950 --> 00:32:56,430
he doesn't care, this anger, it's like
maybe ruined it a little.

407
00:32:56,730 --> 00:32:59,790
In our country, only cases have been recorded
infection of foreign citizens.

408
00:33:01,230 --> 00:33:07,110
Today we know at least one
case of death from HIV in the AIDS stage

409
00:33:07,110 --> 00:33:08,310
among Soviet citizens.

410
00:33:08,690 --> 00:33:14,870
We tried to trace the contacts of this
women, but could not determine.

411
00:33:19,050 --> 00:33:25,770
Patient zero. Actually, our
the past is a mirror

412
00:33:25,770 --> 00:33:27,270
of the present, this is probably how it is.

413
00:33:29,730 --> 00:33:35,450
Abstruse, I understand, some formulations,
but we can always find some there

414
00:33:35,450 --> 00:33:42,070
answers about the current behavior, how
we have news today in

415
00:33:42,070 --> 00:33:47,490
some situations. And it seems to me that
this is just possible.

416
00:33:48,910 --> 00:33:53,890
It would be nice if this affected
that people would become this

417
00:33:53,890 --> 00:33:57,870
be interested, at least. I think
that this is a topic that no one has ever discussed

418
00:33:57,870 --> 00:34:02,130
I didn’t make any films or TV series in Russia.

419
00:34:02,710 --> 00:34:09,530
And then in 1988 they fell silent, the beginning

420
00:34:09,530 --> 00:34:13,070
terrible epidemic, and we're not talking about it
we talk.

421
00:34:14,070 --> 00:34:15,630
It just seems important.

422
00:34:16,810 --> 00:34:20,889
have a big conversation on this topic with
viewer. Overall for us, for everyone

423
00:34:20,889 --> 00:34:26,690
it is important to talk about such difficult
difficult things. And I'm grateful for that

424
00:34:26,790 --> 00:34:31,389
that I was lucky enough to star in
this story, this

425
00:34:31,389 --> 00:34:38,230
statement. If you describe the experience that
you get after watching,

426
00:34:38,310 --> 00:34:45,210
He's definitely not dark. He doesn't
depressing and not nailing to the ground.

427
00:34:45,530 --> 00:34:52,320
This Experience is purifying and giving,
certainly hope

428
00:34:52,400 --> 00:34:57,360
giving, of course, faith and feeling
pride for your compatriots.

429
00:34:57,680 --> 00:35:03,800
Well, of course, I really hope that
the viewer will not watch this story

430
00:35:03,800 --> 00:35:06,960
as documentary or educational
movie, but still...

431
00:35:08,260 --> 00:35:12,920
a work of art where there is
heroes with whom we all empathize, for

432
00:35:12,920 --> 00:35:16,760
which we go, we want to find out what
next, what will happen to him, how can he

433
00:35:16,760 --> 00:35:20,060
overcome this or that problem, like him
fights with himself.

434
00:35:20,300 --> 00:35:26,620
Art is meant to make people be
better, getting better and

435
00:35:26,620 --> 00:35:29,780
think. I hope that we are in this
case...

436
00:35:30,770 --> 00:35:35,050
guaranteed to force people
think about it. And if they think about

437
00:35:35,050 --> 00:35:37,150
this problem, they are guaranteed to become
a little better.

